courses and impositions gestures or rather be

courses and impositions gestures or rather be
/ Jim Wittenberg

already had the band

already had the band
/ Jim Wittenberg

irresistible easy rather do

irresistible easy rather do
/ Jim Wittenberg

feel anymore and cherish that

feel anymore and cherish that
/ Jim Wittenberg

dirty words about the venue

dirty words about the venue
/ Jim Wittenberg

content and performance

content and performance
/ Jim Wittenberg

improvisational reactions unperceived

improvisational reactions unperceived
/ Jim Wittenberg

escalates via unexpected contrast

escalates via unexpected contrast
/ Jim Wittenberg

because it’s next to the bar stool

because it’s next to the bar stool
/ Jim Wittenberg

including a few calls

including a few calls
/ Jim Wittenberg

contributes to the allusive repeat

contributes to the allusive repeat
/ Jim Wittenberg

at the ensemble’s core

at the ensemble’s core
/ Jim Wittenberg

don’t ignore your roof

don’t ignore your roof
/ Jim Wittenberg

I really want to sing that one too

I really want to sing that one too
/ Jim Wittenberg

once the song is gone it’s gone

once the song is gone it’s gone
/ Jim Wittenberg

achieved through a sequencing of form

achieved through a sequencing of form
/ Jim Wittenberg

diverse roster of cross-pollination

diverse roster of cross-pollination
/ Jim Wittenberg

connect them to other experiences

connect them to other experiences
/ Jim Wittenberg

but ways to connect them

but ways to connect them
/ Jim Wittenberg

a response to turbulent times

a response to turbulent times
/ Jim Wittenberg

intent and spontaneity

intent and spontaneity
/ Jim Wittenberg

clarity feature precisely recedes

clarity feature precisely recedes
/ Jim Wittenberg

experimental focus vocal intensity

experimental focus vocal intensity
/ Jim Wittenberg

documented fun touch role rendition

documented fun touch role rendition
/ Jim Wittenberg

careful attempt at calm imbalance

careful attempt at calm imbalance
/ Jim Wittenberg

but wounded lyricism is present

but wounded lyricism is present
/ Jim Wittenberg

based on composition obviously

based on composition obviously
/ Jim Wittenberg

ambidextrous falsetto soloing

ambidextrous falsetto soloing
/ Jim Wittenberg

conducts and writes orchestration

conducts and writes orchestration
/ Jim Wittenberg

dramatic this ensemble can be

dramatic this ensemble can be
/ Jim Wittenberg

discrete approach to verse

discrete approach to verse
/ Jim Wittenberg

attentive to the sharp tap

attentive to the sharp tap
/ Jim Wittenberg